Wednesday, March 14, 2012

6 Ways to Win the Mental Battle in Doubles By Paul Gold

By Paul Gold • WinningTennisDoubles.com


The problem most players have when it comes to the mental side of doubles is that they don't actually know how and where to get started.

And if you can't start you certainly will not finish.

Players lack the tools to help them overcome the various hurdles that pop up in a match and to propel them to achieve exactly what their doubles skills deserve -- winning.


Here are six tools to help put you in that mentally tough place that makes winning a heck of a lot easier -- and losing a very difficult option.

Maintain Perspective

Once you get onto the court (if not before), you and your partner need to start working together for the one cause -- to win the match.

The best way to do that is for both of you to get your heads into the match as soon as possible and keep them there for its duration. That means that all of your thoughts are centred entirely on the match and ignore anything else that will only cause a distraction.

When I talk about maintaining perspective, I mean that you have to keep yourselves in the present and in the now if you want to maximize your performance and minimize interference from any mental hurdles that may arise.

This means that any dialogue between the two of you (and to yourselves in your head) must strictly be about what is happening right now in the match because it is the only thing you can control.

You must avoid talking about the things (both good and bad) you both cannot control, such as the past. Avoid statements like "I can't believe how bad I was in the last service game," or even, "How good was the drop shot I just played?"

The same holds true for future events, such as, "What can we do to make sure I hold my serve next time around?"

Your concentration must be fully focused on what is happening now, which means the next point and nothing else is all you can control.

Execute Your Game Plan

This is an element that, believe me, 99% of the players I see out there are not using.

Forming and then executing a game plan is one of the most important things you can get into the habit of doing as a tennis competitor.

First off, because hardly any one else does it, and, secondly, because it gets you going into the match with a very clear (mental) plan about what you and your partner need to do.

When I was playing my best doubles, we never went into any match without some kind of prearranged plan about what we were doing.

Game plans come in two basic forms:

1. As a result of what you have scouted from watching your opponents or know about them previously.
2. You haven't seen your opponents, but you formulate a game plan based on your own game and what you want to do in the match.

Option one is the more powerful of the two because you can discuss specific tactics regarding the upcoming match, but please do not overlook option two.

In many ways this is the most important option because it forces you to come up with a plan to try and play the game how you want it played -- and this is very important. Too many doubles pairs spend too long worrying about what their opponents are doing and ignore their own game.

Think about your own strengths and weaknesses and come up with ways to maximize those strengths -- and avoid the weaknesses -- all in the context of what you know (or find out during the match) about your opponents.

This will allow you to go into a match armed with a mental map of how to find the treasure (the win), and lets face it, you are much more likely to find the buried treasure if you have a map instead of hunting around the island with absolutely no clue where to go.

Your mental strength increases with the clarity that having a map/game plan brings to the table, which is way beyond what most other doubles teams do in preparation for a match.

Never Play Your Opponents

One of the biggest failings I see in many teams is the handing out of disproportionate levels of respect to opponents. I see it all the time.

In reality, you are not playing your opponents when you are playing a tennis match, you are playing the ball!

First and foremost, you have to react to where the ball is going, what the ball is doing and what you are doing to the ball before you worry about your opponents.

When you are playing a highly ranked pair, you need to respect their standing, but not so much that it stops you from playing to win. See this as an opportunity to go out and play as hard as you can.

View it as a chance to put together everything you've been working on and see how it matches up. Even if you end up losing, the next time you play a similar rated/ranked pair you will be that much stronger for the experience.

When you are playing a lowly ranked pair, this is another great chance to move your game on.

Try to use this opportunity to try out some of the things you have been trying to introduce to your game. Implementing new tactics during a match is always more beneficial than doing it in practice -- and there won't be as much pressure in a situation like this, so you can play with more freedom.

Toughness Through Practice

You don't just wake up one day mentally tough!

Mental toughness is something that needs to be learned and honed regularly. It is a skill like most other skills that is susceptible to the training law of reversibility -- you either use it or you lose it!

So you need to place yourself in pressure situations on a regular basis. You need to know what it's like to be in a tight match and lose as well as win. You need to have come back when you were well behind. You also need to lose when you were well ahead.

These experiences will make you stronger and will also give you the edge over those that haven't experienced the things you have.

It's not quite like practicing a forehand, which you can to a certain extent just hit 10,000 balls to improve and groove the motor response, mental toughness comes from the practice of being, well, mentally tough.

So, seek out as many opportunities to challenge yourselves mentally as you can. You will learn a lot about yourselves and your coping mechanisms as well as giving you the much-needed practice that will be needed when it matters the most.

Practice Tip - incorporate pressure into your practice i.e. play a set where you as a team only have one serve on service games or start each game 30-0 down etc.

Attack with attitude

Attacking with attitude means that your thought process is all about playing for the win (within the rules, of course) and never playing to avoid losing -- big difference!

It's about understanding that there is nothing wrong with a scrappy win, and that you even if you do lose, that you take something from the experience to make you stronger.

It's about both of you displaying this attitude from the first ball and making it obvious to the other team that you will be playing hard all the way to the last ball (however long that takes).

It's about targeting a weaker opponent if you see that one player of the opposition is more fragile than the other.

It's about not being afraid to visibly step into the court to receive serve when you see your opponent struggling with their second serve.

It's about not being afraid to show a positive emotion if you win a point from a net cord (even though you hold your hand up), rather than being so apologetic that you are guaranteed to lose the next point.

These are some of the traits of winners -- so use them.

Lose Your Fear of Losing and Winning

One of the biggest downfalls I see in doubles teams, and tennis players in general, is the fear of both losing and winning.

Most players don't really understand the differences, and as such, they don't know what to do to avoid them. So let's change that.

Fear of losing tends to occur in situations where you are supposed to win -- like when playing a pair with a lower rating or ranking. You get so wrapped up in worrying about what people will say if you lose this match that the freedom you would normally play with and the freedom needed to play well is strangled along with your game.

Fear of winning can happen when you find yourself in a winning position against a pair ranked or rated higher than you. You somehow don't believe that you can or should win the match because this team are better.

In both situations, you find that confidence and self doubt become an issue -- and we all know that playing with confidence issues makes winning very difficult.

Don't allow yourself to think about winning and losing (an outcome) and only worry about how and why you will play the next point (the process).

Constantly talk to each other about your game plan and your jobs on the court and never talk to each other about the outcome.

Discussing the ball and what you are going to do with it will stop you from drifting towards the end of the match, which will naturally lead you to start thinking about winning or losing and will cause you to drown quicker than you can spell "choke."

Saturday, January 28, 2012

"THE LOOP" Its not TENNIS but I have to stay active somehow!!!

  YOU GUYS SHOULD TRY IT!!

     
   

Friday, October 14, 2011

New Tennis Website That Could Be Interesting!

I just stumbled on this site the other day.  It seems that they have a lot of articles on doubles and doubles strategy.

Here is the link:  http://www.active.com/tennis/

I have only read a few articles, but so far it seems to be full of great info!!  Take a look and let me know what you all think!

I am also going to add the link on the right side of this blog under "Cool Tennis Links"!

Wednesday, August 31, 2011

Uses for old Tennis Balls

What do Ray and Ed do with all those "old" tennis balls?  I have always wondered why? I think I found the answer courtesy of wikihow.com. Here are a few of the uses they came up with:


  • Put the tennis balls in the bottom of a chair or stool to protect wooden or delicate floors from scraping and to reduce the noise level. You could also give many old tennis balls to a local school or community group if they want to do the same (schools often need them for this purpose). Or, donate them to a senior center or assisted-living facility – tennis balls make great skid stoppers on the legs of walkers. These are great ways to use split tennis balls.
  • (For the weaker and older members of Team Whoopassium) -  Cut one in half and use it to open jars. Simply place the inside rubber portion over the top of the lid and turn while holding in place; the grip will help to release the jar lid.


  • (Again for the older members of Team Whoopassium)Use the time-tested method for finding your car in a crowded parking lot: put a tennis ball on the end of the antenna.

For the rest of the uses go to the link below.


http://www.wikihow.com/Find-New-Uses-for-Old-Tennis-Balls

Monday, August 29, 2011

My racquet road to today

Hopefully you like the racquet you have now- I definitely like mine - the ProKennex Kinetic Pro 7G



but how about your racquet history, and your all-time favorite? Here's my long, winding racquet road to today. I started playing tennis in the late '70s, and my first "real" racquet was the
Wilson Jack Kramer Autograph


- one of the legendary racquets from the golden age of tennis. I used to get them in the old Randolph pro shop: $35! They were great racquets, but I was a kid, so of course I dreamt of more. The new Yamaha fiberglass racquets made me salivate.









But the next stop for me was the much more pedestrian aluminum Head Pro. Strung w/ 15L Leoina 66- how did I manage to hit with any topspin at all? (I probably didn't). But that got me part way through high school. After a couple of short stints with the midsize version of the Head Pro (Head Vector), and the wood/graphite ProKennex Golden Ace, and it was time for 100% graphite! (meaning a minimum of 75% graphite, according to labeling requirements). I switched to the midsize Head Graphite Edge- a really nice, versatile racquet. I was playing lots of junior tournaments, and doing ok, and I managed to get on the "free list" with Wilson. I ended up getting for free the most awesome looking racquets I'd ever seen- the standard size Ultra IIs.




They were Wilson's top of the line. How did I end up with these killer sticks? Did I test drive them and fall in love? No, of course not! I'd never even hit with one. Another junior player, whom I regularly crushed, got them for free (his dad had connections), and I couldn't stand it! I had to have them! I wrote an apparently convincing enough letter to the regional Wilson rep, and wallah, two of them showed up on my doorstep! I immediately strung them up with the best string I had, and headed to the courts. I was bursting with pride and confidence as I took one out to hit, and boy did I..... suck! These were the stiffest, most unforgiving racquets made, and I think even smaller than standard size. The sweetspot was the size of a postage stamp. I didn't have close to the game needed for these racquets! I tried my best with them for a few months, but it wasn't to be. I was really bummed! But one day I was hitting with a kid who had a racquet I'd never seen before. He let me try it, and instantly I was redeemed! I could play good ball again! The racquet was the midsize Wilson Javelin.

It felt like it was custom-made for me: perfect size, stiffness, weight, balance, power, control, and it even looked cool! I immediately sold the Ultra IIs to a sucker..I mean friend of mine, and got a couple Javelins. The story almost had a perfect ending. I loved the Javelins- they were and remain my all-time favorite racquet, and I ended my high school tennis on a high note. My friend who bought the Ultra IIs actually did great with them. Unfortunately, the Javelins had some kind of engineering or manufacturing defect, and typically broke within 3 months. I went through about 5 before reluctantly giving up on them. Fast forward through Prince Comp oversize, then back to midsize, to Wilson ProStaff, and now ProKennex. Whew!

Now, what's your story?

-knarf walker

Tuesday, August 23, 2011

Strings! What difference they make these days!!

very good article!!  Via ESPN.com 

But are "WE" the average club players?


More than anyone, Toni Nadal has always understood the subtle weaknesses of his sublimely talented nephew.
Which is why several years ago, chatting with Jean-Christophe Verborg, Babolat's international tour director, Uncle Toni asked for some assistance.
"Rafa is going to get older and older," he told Verborg, "so we have to help him a little bit."
Rafael Nadal already had won four straight French Open titles, plus another at Wimbledon. He was 22. But he had been playing with the same old-school polyester Babolat Duralast 15L strings for nearly a dozen years.
Verborg first approached Rafa with the company's red Revenge string, but because Nadal was the No. 1-ranked player in the world -- and famously superstitious about virtually every element of his game -- he said he didn't want to change anything. In 2009, pushed by Toni to come up with a little more "pump, a little more spin," not to mention a few more free points on the first serve, Verborg's engineers created a new, sleek black string.
When the ATP World Tour came to Paris, in November 2009, Verborg invited Rafa and Toni to Babolat's headquarters in Lyon, France.
"Come out to the factory," Verborg said. "Give me one hour. Let's try it. If you no like, OK. You like, could be interesting."
String is the (new) thing
Verborg, lounging at Babolat's hospitality site at Roland Garros, laughed. Wearing stressed jeans and a gray jacket, accented by a scarf, Verborg clearly enjoyed telling this story. At the time, though, he wasn't sure if there would be a happy ending, much less a global marketing phenomenon.
"The string," he insisted, "is as important as the racket. If you have a good racket -- and bad strings -- it's still bad."
This is true of concert-quality violins, and it's true of the modern sticks tennis professionals carry into battle. These days the string, many agree, is quite the thing.
Although the graphite racket technology has flattened, rather like the world economy, recent advances in strings have utterly changed the game. They have names such as Luxilon ALU Power, Technifibre's Black Code, Prince's Poly Spin 3D, Head's Sonic Pro -- and, of course, Rafa's black string: Babolat's RPM Blast.
Back in the day of wood rackets, natural gut was the string of choice. With today's synthetic polyester strings, which players can combine with gut for a hybrid string arrangement, they can hit shots that Borg and McEnroe never dreamed of. Athletes are stronger than their predecessors, and that strength is rewarded. Instead of the gentile, one-foot-forward, weight-transfer-from-back-to-front classic forehand, players now open their stance and hit the ball nearly as hard as they can; their follow-throughs can actually wind up behind them. Employing an extreme western grip, they can impart severe torque, causing the ball to spin ferociously. Elite players play a more vertical game than club players, so their aggressive swipes maintain unprecedented speed, yet still manage to find the court.
In other words, power and speed have increased without compromising control.
"When you have the ball in the string bed, there is a very good flexibility," Verborg said. "You have a feeling of the ball. You are thinking, 'I know where I am sending the ball.' "
Sounds like a deal with the devil, doesn't it?
"The players tell us they can swing with everything they have and, in the last 25 percent of the flight, the ball disappears onto the court," said Ron Rocchi, Wilson's global tour equipment manager. "[Roger] Federer and Nadal can create angles from the baseline that didn't exist four, five years ago. They can hit a ball three feet off the service line and see it bounce into the stands."
Tennis, at a distance, is a lovely, lyrical dance. Up close, though, the collision between ball and racket is disturbingly violent. Not unlike the gruesome slow-motion shots of gun fights by western director Sam Peckinpah.
Viewed at a few frames a second, you can see the flexed wrist and arm muscles of the player absorbing the blow -- while moving aggressively through the ball -- the racket head bending, chattering tremendously, the ball (typical groundstrokes for professionals average between 70 and 90 miles per hour) diving into the string bed, deforming and compressing into an astonishingly small yellow bit of rubber, the strings giving way until they reach their limit and snap back, spitting the ball out like a cannon.
It looks a lot like anarchy. The Babolat cameras used in research were actually developed for ballistics tests. The whole exchange takes about four-one-hundredths of a second. And yet that brief kiss between string and ball defines the entire arc of the shot.
Eric Babolat is the fifth-generation CEO of Babolat. He learned the business from the bottom up, stringing rackets at Grand Slams. His great-great grandfather founded the company that invented gut strings in 1875.
"The string is part of the racket and the racket is an extension of their body," he said, smiling. "There is lots of psychology involved."
Keeping it in the park
Fabrizio Sestini was an All-American at TCU, but he's also a solid post player in pickup basketball games at the ATP World Tour headquarters in Ponte Vedra Beach, Fla.
[+] EnlargeRacket
BabolatToday's players can hit shots they never dreamed of while using polyester string.
He's a tour manager for the ATP and spends a lot of time around the players and their equipment.
"Strings are a vital part of the equation, probably the second-most important aspect after the racket," Sestini said. "The comparison I would make is a downhill skier and the wax on his skis. They arrive at a level where they are so sensitive that they can feel if their string tension is a half a kilo more or less than usual.
"They are very, very picky. Sometimes, from the outside, it would look like they are crazy."
For the longest time, racket technology outpaced the strings.
"That was the problem," Rocchi said. "And then the polyester strings caught back up to the rackets. I thinkAndy Roddick was one of the first guys to go with a wide-body racket and 16 mains, an open string pattern. Before that, everybody played with a dense pattern. Guys would try rackets and the ball would fly off them. There was no way to tone it down."
No way to keep the ball in the park. Polyester strings changed that.
The watershed event was Gustavo Kuerten's victory at the 1997 French Open. The 20-year-old Brazilian credited his Luxilon strings for allowing him to hit the ball harder and impart greater spin. By the time he won his next two titles at Roland Garros, in 2000-01, the buzz over polyester strings was deafening.
Todd Martin, a two-time major finalist, has an exquisite tennis memory. He gave two examples of the breakthrough from his perspective. The first came at Roland Garros in 2002 when he was playing Alex Corretja in a second-round match.
"I was getting my clock cleaned," Martin remembered. "I served and volleyed out wide in the ad court and I hit a very good serve. Alex just got the return back, and I hit a forehand volley. I didn't angle it great, but it got on him pretty fast. I thought it was 50-50 that he would get his racket on it. He made a good play on it; late but a lot of racket. I'm thinking people in the first row on the side of court are in danger.
"The ball left the racket and missed only by four feet -- not the four meters I had guessed. It was shocking to me how much that ball moved considering how fast he hit it. It was alarming, and it was all strings."
Two years later, Martin was practicing with Thomas Enqvist at Roland Garros and both men, Martin says, were using Luxilon strings.
"We went out to hit, and 10 minutes in, we realized we had gone through our entire batch of six, eight balls," Martin said. "We were hitting it hard -- and we weren't missing. With regular strings, if you wanted to take the baseline out of play [by spinning the ball], Thomas and I would have had to change our swing patterns.
"If my normal forehand stroke [with gut strings] produced an arbitrary, say, 100 revolutions per second, my same forehand with half Luxilon and half gut would produce maybe 200 revolutions. That's a big difference. Plus, you get more forgiveness on off-center shots when you're not clean."
Fabrizio Sestini laughed when he heard the Martin stories. They play frequently; Martin lives near ATP headquarters.
"Todd is a great example because he didn't even know what topspin was -- he hit the ball so flat," Sestini said. "He hits with the same style, so I try to use the topspin when I can see he's in trouble."
Stringing them along?
Rafa accepted Jean-Christophe Verborg's invitation to the Babolat factory. In fact, he met with the engineers and technicians and practiced in Lyon before the Paris indoor tournament in November 2009 using the new black string. Verborg, who had a new product line -- and the potential riches that can come with it -- riding on Rafa's test sessions, was a nervous mess.
"Rafa comes off the court and says, 'Um, hmm … not bad,'" Verborg remembered. "And when a player says not bad, well …"
Verborg slapped his palms together.
"& is good, no?"
Uncle Toni texted Verborg when Rafa arrived in Paris and told him the testing had gone well.
"He likes the strings," Toni wrote. "We'll try them."
Playing with the RPM Blast string, Nadal was knocked out of the 2010 Australian Open quarterfinals. He had now gone four straight Slams without reaching a final (missing Wimbledon the year before), his longest such streak in six years.
After the RPM Blast product line had been launched, amid much fanfare, Rafa sought out Verborg.
"I don't know if I play well with these strings," Rafa told him.
There would be one more chance for the black string: Monte Carlo, the official beginning of the clay-court season.
Impact on the game
The synthetic strings have helped turn tennis into a passive-aggressive game. You can actually watch the elite players sometimes take a few quick steps backward when returning serve -- and then swat a winner from what looked like a defensive position.
"You see it happen all the time," said ESPN analyst Darren Cahill. "The strings have made it a more offensive game, especially from the baseline."
[+] EnlargeJelana Jankovic
Timothy A. Clary/AFP/Getty ImagesJelena Janovic, a runner-up in Cincinnati, is not the only player who should be extolling the revolution in string technology.
They also have placed a premium on retrieving ability. Perhaps the best two defenders in the game -- Novak Djokovic and Caroline Wozniacki -- are the No. 1-ranked players on the ATP World Tour and WTA circuits. This is not a coincidence.
"The court is bigger," Martin said, "because the technology and skill of the players promoting just ungodly amounts of top spin -- without sacrificing pace on ball. The effect is that the court has become much wider than it used to be. More balls are in play and they are tougher to reach.
"As a result, lateral movement is more important now than it's ever been."
Last month, on learning that a string story was in the works, Mary Carillo started a stream-of-consciousness series of headlines that our tennis editor will no doubt attempt to steal:
A salute to strings.
String theory.
Super string.
Silly string.
"The string technology," the NBC and Tennis Channel analyst said, still cackling, "has created remarkable angles and amazing usages on the court. But the string giveth and taketh away. The one thing it's abolished is the net game. The ball just jumps around so much, it's hard to volley, hard to come in and attack the net against that level of spin and pace.
"John McEnroe has tried it -- his volley is so compact -- it kept him from feeling entirely comfortable. There's not as much variety as there used to be, which is why Djokovic is No. 1. He does everything better than everyone else from the baseline."
Brad Gilbert, who coached Andre Agassi, Andy Murray and Roddick, keeps up with all the advances in technology. He owns a tennis shop near his home in northern California.
"I was hitting with a junior today, 16," Gilbert said. "He's been playing with these strings since he was 12. The younger generation has grown up with the technology and they're used to taking that big cut."
Gilbert does not mourn the death of the volley.
"Absolutely not," he said. "The strings take nothing from game. The people saying 'Go back to wood.' Well, that's just antiquated. Football was beautiful in the '70s, but we're playing a different game now.
"Same with tennis. I like what we're doing."
Secret sauce
There is a lot of intrigue surrounding the composition of strings. You might call it a tension convention. The proprietary blends that go into synthetic strings are guarded like the recipe for Kentucky Fired Chicken, the Big Mac and Coca-Cola.
Player preferences are not so closely guarded.
The Luxilon folks say that, based on stringing logs from the U.S. Open and Australian Open, player sponsorships and purchases, 73 percent of the ATP's top 100 use their strings, as well as 59 percent of the WTA's top 100.
[+] EnlargeString
Timothy A. Clary/Getty ImagesToday's strings place a premium on power and defense -- a winning combination.
One of those players is Roger Federer. He uses Wilson natural gut in the 16 mains, according to Wilson's Rocchi, strung at about 50 pounds of pressure, with synthetic Big Banger ALU Power Rough for the 19 crosses, at around 46. Most players string their rackets the opposite way, with synthetic strings in the mains and gut for the crosses. Djokovic, too, goes with gut in the mains and polyester in the crosses, but employs a higher tension on his larger racket, usually between 59 and 61 pounds. Djokovic uses a denser string pattern, 18 mains and 20 crosses. In theory, the more open string pattern allows players to produce more spin on the ball; Djokovic typically hits the ball flatter than either Nadal or Federer.
Nadal generally prefers an average of 55 pounds for all of his strings, but like Federer and Djokovic, he is quick to adjust when conditions change. Nadal goes into each match with eight freshly strung rackets. He changes every seven games, when new balls come out, but if he's due to serve he will play an eighth game. If the opponent is serving, he switches.
Another byproduct of these synthetic strings is that racket tensions have, generally speaking, come down in recent years.
"The average player has to understand they should lower tension with these products," Riocchi said. "A good rule of thumb is 10 percent. If you're playing with gut at 60, 55 with synthetic strings should give you a comparable feel. It's a mistake a lot of shops make, and when they're strung too tight a club player will feel like it's too firm."
Cahill thinks string tensions have come down about 10 pounds from the days when he was playing.
"Bjorn Borg strung his wooden racket so tight the strings would pop in the hotel room at night," Cahill said. "[Thomas] Muster used a racket like a board. With these strings and a looser racket, guys can put the ball anywhere they want."
A fine line
Toni Nadal is a successful tennis coach, but in the hands of clever producers, he's actually a decent actor. In opening scene of a Babolat commercial, Toni sits comfortably and speaks a serviceable French with English subtitles.
"At the time, he wasn't playing very well," Toni says of the search for a new string. "The racket is great, but &"
And then he raises his eyebrows and smiles coyly.
"In fact," Toni says, producing a 40-foot reel of 16-gauge (1.30 millimeters) RPM Blast, "his secret is this string."
The black, eight-sided string is described in Babolat literature as a "high-density co-polymer polyester monofilament combined with a new cross-linked coating."
As we now know, RPM Blast passed the Rafa test. The critical mass came at the 2010 Monte Carlo event, in which Rafa dropped only 14 games in a minimum 10 sets to win the title. He followed up with wins at Rome and Madrid, beating Federer in the final.
"Thank goodness," said Eric Babolat, the company's CEO. "The players' feeling is the key with these strings. It's not a mathematic formula. It's a fine line, sometimes you change something and you lose something."
This time, Rafa found something.
And so, he finished the 2010 season with three Grand Slam titles in a row, something Federer never did in the same calendar year. It was one of the greatest seasons ever.
Today, according to Babolat, about 20 percent of the elite players on the ATP World Tour and WTA use the RPM Blast string.
Toni Nadal, the pitchman, continued.
"It helped Rafa hit the ball harder, more topspin, while maintaining control," he said with a look of conviction. "Babolat made an amazing string. So we're very happy."
Greg Garber is a senior writer for ESPN.com.